Do you find our milieu odd in its insistence that people can’t take care of themselves? Do you find it bewildering that ordinary uneducated people during the English Renaissance could go to a play at the Globe without worrying that their feelings might be offended? And do you think it odd that people in theatre, for 2,500 years known as cultural rebels, have suddenly become protectors of emotions, decorum, and the psyches of their audiences? Now the lighted marquees warn theatergoers with rankings, such as PG-13.
I remember crying as a child when I went to see Bambi. No one told me ahead of time that there would be so much death and destruction: Deer killed, a forest burned, the loss of parents. What little kid could survive the emotional onslaught? Oh! I guess I did.
Progressive times? I think not.
Regressive times? I think so.
What’s next, a warning for theater-goers that the very nature of theatre is, in itself, offensive? Here’s my rewritten advertisement for Almeida Theatre’s production of Macbeth:
Got a hankerin’ to see some blood? Lookin’ for some betrayal? Want to see witches stewing stuff in a cauldron? How about a good bloody coup, a regicide by stabbing? A crazy sleepwalking woman who thinks she can’t clean blood from her hands? How about a gory decapitation? Come to the Almeida Theatre Monday night for a show to your liking. It’s called Macbeth, and it’s been around frightening audiences for more than 400 years.
The regressive political correctness of our time has instilled in many a super sensitivity to the very nature of imagination and pretending. Strangely, the complaints about “offenses” to the psyche come from many who align themselves with “progressive causes.” Think of those who complain that entertainers dress and wear makeup that is culturally inappropriate. I just don’t remember such complaints when Shakespearean actor Sir Laurence Olivier played Othello. If you remember your history of Shakespearean times, you’ll recall that men played women during Queen Elizabeth the First’s reign (Remember the film Shakespeare in Love?). Or what about Peter O’Toole and Alec Guiness playing roles dressed in Arab throabs and serwals? Guys from the British isles dressed as Saharan indigenous people? Shameful. Offensive.
So, the very nature of acting a role is now offensive unless the “actor” personally qualifies by culture and race as a mirror image of the character portrayed. Only Moors should play Moors. Only women should play women. Only redheads should play redheads. No longer can actors “act”; they can no longer pretend to be someone else. And their performances, once thought to be outside the sphere of cultural decorum, now must adhere to a new decorum.
And no longer can there be tales like Bambi that portray violence, loss, death, and destruction or tales that use actors pretending to be members of another culture or race. The West has undergone a regression in imagination in the name of progress.
Note:
*https://www.breitbart.com/europe/2021/10/29/british-theatre-adds-trigger-warning-to-shakespeares-macbeth/ Accessed October 30, 2021.