Thank a nineteenth century group of artists for initiating the fad of virtual outdoorsiness: The Hudson River School of art, a loosely bound group of artists who took a cue from some European artists and painted humans in harmony with nature. They put this nature-landscape stuff, both dreamy and realistic, into the public consciousness and values. With the invention of cameras, other “artists” then took the business of landscape portrayal to a megapixel level. You might even be one of those so enamored of Nature’s representations that you jeopardize your safety by pointing your smart phone’s camera out the window to capture a rainbow while you are driving. Or, you might take a Selfie that features wild nature in the background, showing you to be one with Nature, or, maybe, Nature’s conqueror.
Let’s sketch some questions for a moment: Has our species always been enamored of landscape? As consciousness opened human minds to the environment, did it focus on aesthetics or use? Is there intrinsic beauty in a natural scene that all minds discover just by looking? Are we drawn to draw or photograph in hopes of preserving the ever-changing shapes, colors, and lighting of the natural world? In representing place do we seek to stop time? Should we assume that those ancient cave artists had some religious purpose behind their art? What if they just liked scenes? What if in the darkness of a cave pierced by a flickering fire’s light the artist upon completing his wall art turned, exclaimed, and then asked, “What a great planet! Aren’t you glad we chose this planet to live on?”
Are all those hotel and motel pictures merely the continuation of nineteenth-century Romanticism’s painters? And is it possible that our desire to “save the environment” is largely a product of all those idealized and romanticized paintings of natural scenes? Or, is our desire to capture an idealized Nature a hand-me-down from the artists of Lascaux and other cave artists? Something built into our brains? Do we carry a gene that makes us appreciate Nature’s “beauty” while disdaining its harsh realities?
In our cities of steel and concrete, we plant trees in little parks. We fashion Nature as we can and make an artificial scene worthy in many instances of a Selfie. Having manipulated landscape for our use, we then look to reclaim its original form. Maybe that is why some of us risk a driving accident just to acquire a photo of a rainbow or spectacular view to hang on our “cave” walls or download onto our computers. And there, in the darkness interrupted by the imperceptible nanosecond-flashes of LED bulbs or a desktop image, we can turn, exclaim, and ask our civilized contemporaries who are equally removed from Nature’s sometimes beautiful and sometimes dangerous reality, “What a great planet! Aren’t you glad you chose this one to live on?”
*A rewrite of an earlier blog.