Many lives are quiet and repetitive throughout. They are exemplary of unity and coherence, but they lack emphasis. Some lives never build too much power for various reasons: Interrupted plans, tragedies, self-imposed restraints. But no life has to be lived without building to quite some power and inspiration.
Quiet repetition makes abrupt power more dramatic, of course. You can build your life on contrast. No tune is an analog to your life. That might be what underlies your liking several different kinds of music. Even complex symphonies fail to mimic you—and symphonies are known for their contrasting movements and underlying repetitive themes. Would playing all the music simultaneously be more imitative of your life?
Sometimes you are all percussion. Sometimes, all strings. Then brass. Woodwinds. Making a harmonious and unified sound is relatively rare. Cacophony is your destiny: all the sounds of all the instruments and all the movements of all the symphonies playing simultaneously. As a conductor, you are in and out of control: Strings are playing Vivaldi, brass are playing Saint-Saëns, woodwinds are playing Gershwin, and the percussion, well, they are playing a mix of Mazur and Abe. Yes, as a conductor, you long for an orchestra harmoniously playing a simple tune under your control, but…Now someone named Tchaikovsky in the pit thinks that firing cannon makes music.
What do you do to keep the musicians in check? What song would you like to conduct and hear? How temporary is the desire to hear that particular song? Cacophony is your tune. Yes. Cacophony.