Self-deprecation can be a persuasive tactic, especially when one needs a favor from someone in authority. Yes, genuinely expressed self-deprecation might convince the self-important to yield to a request or to provide a charitable gift. Feigned self-deprecation, however, once detected, becomes a negative force.
There is, however, a circumstance in which self-deprecation seems universally appropriate: Comedy. The late John Pinette was good at using it, especially during his early comedy routines that centered on his weight and size. Other standups have also made a living on self-deprecation. Audiences get the jokes, but they go to such performances already primed to laugh.
Some comedians make their living by deprecating others. Don Rickles has done that successfully for decades. His audiences, of course, know beforehand the nature of his routine, and they expect some degree of humiliation by the quick-witted comic’s tongue. But elsewhere in society, deprecating another is typically anathema, bordering on defamation, and cause for litigation.
Do you have a sense of humor when you are the object of derision? Are you a good audience for a “John Pinette” but a bad audience for a “Don Rickles”? Let me ask, “How do you feel about another person’s negative humorous assessment of your talent?” Seemingly, in an overly litigious society there’s a decline in tolerance for deprecating humor. People can’t laugh at themselves, but, in truth, people have long been intolerant of critical humor. You can imagine the ire of Dante’s political opponents at criticism of their personae in The Inferno some seven centuries ago.
It’s pride. Pride, the antithesis of self-deprecation, recognizes nothing humorous with regard to the Self. Pride feeds only on deprecating others, often in the service of Envy and Greed. In a sense, some people (maybe many) live their lives as though they are characters in a medieval, allegorical morality play. Personification makes characters from characteristics in such plays. Virtues, vices, and abstractions play concrete roles, as those played by Good Deeds, Knowledge, and Beauty in Everyman (15th century) or Dante’s main character in The Divine Comedy. And that appears to be the way some live with regard to deprecating and self-deprecating: Characters in a modern morality play that personify some behavior, mood, and quality.
Are you the personification of a vice? Of a virtue? Of a conflict between both? Are you open to a bit of good-natured deprecation? Are you a “John Pinette” or a “Don Rickles”?